Choose the job the music should do. Every page has tracks picked for that use and its mood. You pay once, no subscription, and the licence is the same everywhere. The articles show how you put the music in.
A track for the picture you are cutting, short or long. You buy it once.
For what you publish, whether the clip is short or stays up. You buy one track, once.
For an intro, under the conversation, or an ending. You buy the track once.
When the picture needs music with a direction, from quiet tension to a big ending. You pay once.
A track for the slides, while you talk, or between the points. You hear it first and pay once.
For the ad you publish on the web and on social media. You pay once. Television, radio, cinema, and large campaigns need a separate agreement.
For the party, the meeting, or the evening. You choose how calm or how up the track should be.
An intro, a break, or an ending in a programme. You buy the track once.
A track that can sit in the room. Buy one, or a collection if you need several.
For reception, a restaurant, a bar, or another room. You pay once.
For the sales floor, for a while or for a whole day. You hear the track first.
A track you can play and mix live. You pay once.
For the studio, the class, or another place you train. You pay once, not per session.
For a dance class, a rehearsal, and a performance. You pay once, not per session.
For meditation, a yoga class, and a quiet session. You pay once, not per session.